IMF Annual Meetings Performance

Members of the Chamber Ensemble performed for ministers of finance and other attendees of the IMF Annual Meetings at a midday break between sessions on Saturday, October 14, 2017. Managing Director Christine Lagarde even stopped to listen to some of the nine-song set, parting with her compliments: "Beautiful singing!".

CCW Board of Directors Elects New Board President


I am truly honored to have been elected President of the CCW Board. I look forward to working with the board to support Margaret and to continue to advance the exceptional CCW programs. The future is bright for CCW as we move forward while building on our history of excellence.
— Laura Kopp
Laura Kopp

Laura Kopp

At its meeting on June 14, 2017, the CCW Board of Directors elected Laura Kopp to be the next President of the Board. Her term as president starts August 1, 2017. Laura succeeds Nancy Ortmeyer Kuhn, who served three years as President. Previously, Laura served as Secretary of the Board and is a member of the Executive Committee. She was instrumental in the launch of CCW's rehearsal site in Alexandria in September, 2016. Laura's son, William, has been in CCW for four years. 

I am excited to continue my working relationship with Laura Kopp as she assumes the role of President of the Board. She has been a wonderful steward of the organization, and I know she will bring new energy and insight to shaping CCW’s future.
— Margaret Nomura Clark

"The best CARMINA chorus I've ever heard live"

Choristers pose with soprano soloist Amy Owens

Choristers pose with soprano soloist Amy Owens

[Soprano Amy Owens] was matched beautifully by the sweet voices of the Children’s Chorus of Washington in the love section ...
— Washington Classical Review
The combined choral groups exhibited fine intonation and tight ensemble. Falletta devoted much of her conducting energies to the chorus, which paid off handsomely in a performance of uncommon effectiveness; the best Carmina chorus I’ve ever heard live, actually.
— Bachtrack

Read the review at Washington Classical Review

Read the review at Bachtrack